Years ago, you hadn’t quite dismissed the notion of animating the strip. Are you a fan of Pixar? Does their competency ever make the idea of animating your creations more palatable?
The visual sophistication of Pixar blows me away, but I have zero interest in animating Calvin and Hobbes. If you’ve ever compared a film to a novel it’s based on, you know the novel gets bludgeoned. It’s inevitable, because different media have different strengths and needs, and when you make a movie, the movie’s needs get served. As a comic strip, Calvin and Hobbes works exactly the way I intended it to. There’s no upside for me in adapting it.
Not to diss Pixar, but: Whew!
Your fight over protecting Calvin and Hobbes from licensing deals, and your battle to increase the real estate for your Sunday page comic, were notable—partially because they indicated your incredible autonomy over your work. Had you “lost” those battles, it appears you would have ended the strip. It reminds me of Howard Roark and his desire to blow up his building rather than see it molested by other hands. Was there a critical moment in your career that instilled such unwavering creative integrity?
Just to be clear, I did not have incredible autonomy until afterward. I had signed most of my rights away in order to get syndicated, so I had no control over what happened to my own work, and I had no legal position to argue anything. I could not take the strip with me if I quit, or even prevent the syndicate from replacing me, so I was truly scared I was going to lose everything I cared about either way. I made a lot of impassioned arguments for why a work of art should reflect the ideas and beliefs of its creator, but the simple fact was that my contract made that issue irrelevant. It was a grim, sad time. Desperation makes a person do crazy things.
More good stuff at the link. It’s really impressive how Watterson gently points out that the interview has the ‘Howard Roark’ Randroid fantasy backwards: Being willing to destroy one’s own work is not a mark of ‘unwavering creative integrity’, but a sign of suicidal desperation from someone at the wrong end of the power relationship.
What’s on the agenda for the start of another week?