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MisterDancer

You are here: Home / Archives for MisterDancer

MisterDancer started writing for Balloon Juice in January 2022.

MisterDancer (He/Him) is what he says on the tin -- a once-and-future, and so-called, belly dancer. Also a former (gospel) singer, a technophile with the career to match, an (very) amateur historian, a struggling writer, a student on gender and race in America, and generally is the kind of person who collects interests like most folx eat popcorn.

He also loves tons of pop culture, especially the parts on display at your local Science Fiction Convention.

Any or all of the above topics are game for his posts here. Except maybe belly dance, 'cause that's a bit obscure for a Top 1000 Political Blog (or so he thinks!)

NOTE: He welcomes engaged critiques of his works, especially with citations for further reading. One-line "critical" responses are subject to mocking.

Gravely Disappointed

by MisterDancer|  January 14, 20224:33 pm| 170 Comments

This post is in: Civil Rights, Domestic Politics, domestic terrorists, Don't Agonize - Organize, Don't Mourn, Organize, Economics, Open Threads, Racial Justice, Your Place Is In The Resistance

Regarding Senator Sinema’s words, yesterday: I would muse on the…universality, if you will, of the toxic approach people like Senator Sinema take in all this. For it reminds me, again, of Dr. King’s words on this kind of person:

I must confess that over the past few years I have been gravely disappointed with the white moderate. I have almost reached the regrettable conclusion that the Negro’s great stumbling block in his stride toward freedom is not the White Citizen’s Counciler or the Ku Klux Klanner, but the white moderate, who is:

  • more devoted to “order” than to justice,
  • who prefers a negative peace which is the absence of tension to a positive peace which is the presence of justice,
  • who constantly says: “I agree with you in the goal you seek, but I cannot agree with your methods of direct action”,
  • who paternalistically believes he can set the timetable for another man’s freedom,
  • who lives by a mythical concept of time and who constantly advises the Negro to wait for a “more convenient season.”

Shallow understanding from people of good will is more frustrating than absolute misunderstanding from people of ill will. Lukewarm acceptance is much more bewildering than outright rejection.

I had hoped that the white moderate would understand that law and order exist for the purpose of establishing justice and that when they fail in this purpose they become the dangerously structured dams that block the flow of social progress.

—-King, Martin Luther. “Letter from a Birmingham Jail [King, Jr.].” Upenn.edu, 16 Apr. 1963, www.africa.upenn.edu/Articles_Gen/Letter_Birmingham.html.

[Edits mine – MisterDancer]

Why does the above matter? Because: There’s a saying in some social justice circles, that what’s needed aren’t Allies. They need Accomplices.

show full post on front page

Gravely DisappointedPost + Comments (170)

What does that mean? It means people who are willing to not just let go of prejudice, not just willing to address other’s prejudices when it’s convenient for them, but actively engaged in using their privilege to raise people up, and in – at the end of the day – engaged in the life—long work to dismantling their privilege.

They require people who will avoid taking up all the space so that all voices can be heard far more equally, than happens today. They underline that you cannot support a movement, while sucking at the teat of the forces that seek to break that movement.

And so, yesterday, Senator Sinema chose to take up all the space, to take up all the air. She chose to offer a negative peace, over justice.

She, and the other Senators, outspoken and silent, she stands with will say to their last breath, they are Allies. They will insist their stance is about doing the right thing, the right way. That they just can’t agree with the methods for direct action, to protect the stealing of votes. They insist there is time to find another convenient season, to address these issues.

In this, they are not far in words traded in our media from the deeper threat – the GOP who applaud these moves. The ones who see on the horizon a time when their cult of power cannot be broken, and their desire for power will go unchallenged. These are people who have not forgotten the truth of the Dixiecrats: for all their spoken hate of Black and Brown folx (among many others), they needed my ancestors. Jim Crow’s broken-assed economy meant they couldn’t just throw their bodies, or even minds, away. They couldn’t escape the reality, save by lying to everyone about it by claiming Jim Crow as the “moderate” stance, the stance of “good” people.

Indeed, “scientific racism” was invented so that Victorian-era people could feel good about treating groups of people like machines. And to do so while claiming they were Allies to the people they abused, just as slave owners came to say that Black folx were children who required a firm hand…indefinitely.

And that “good feelings first” mentality allowed 1700 of those slave owners to stand in Congress over the centuries. The very same American Congress, the seat of freedom, where Senator Sinema chose to defend their horrors in standing against voting rights.

After all, they were all good moderate people, to be certain. /s

People have always sought a way to be a moderate, a centrist, even in light of much of the worst humanity has done. To retain every bit of their privilege, a thing they “deserve” and have “worked hard for, unlike others”. To hold their space and never yield it, ensuring they and the people they “care” about are always seen as important, now and forever trapped in an amber poured of blood and pain.

There are trials and tribulations to come. And they come, in no small part, from what I’ve written above.

So, to you, the reader who made it through all this ramble: I’m going to try to use my energy here to be a better Accomplice. And I’m working through what that means, considering the current situation. What I can bring to light here to accomplish that mission, and to build connections and community — even if I have to be mean about it, sometimes. :)

Y’all hold me to task, on that, OK?

A Reason to Sing.

by MisterDancer|  January 9, 20226:38 pm| 90 Comments

This post is in: Kiss My Black Ass, Open Threads, Popular Culture, Post-racial America, President Biden

[EDIT: Yes, this is Woodrow/Asim, in my new nick!] Nothing pisses off The Right, like actually enjoying your life, even when that life holds pain and sorrow.

So let’s talk late 90s’ pop tunes!

Specifically: how one of them came to be played at the Inauguration…and how it reminds me, of the emotional richness from singing Gospel, many years ago. A richness that can help, to push back a bit of the darkness.

Let’s start with the song — “You Get What You Give” by the New Radicals, aka Beau Biden’s “theme song” as he fought cancer…:

…and a One-Hit Wonder. Yet, despite it’s seemingly ephemeral nature, so many of us who heard it at that time, kept it close to our hearts. As a struggling dancer myself, it was a massive uplift for me.

And for a Beau Biden who, years later, would struggle with something much more serious in his life? It became a balm, one he passed onto his “old man” — a man who is now our President, and who had the band come back from the dead to play the song at his Inauguration.

But why this song? And what the heck does any of this pop pablum, have to do with the long and treasured history of Gospel Music?

So let’s dive into Joy…and Pain. How “life is more, than mere survival.”

show full post on front page

A Reason to Sing.Post + Comments (90)

I suspect Beau and Joe came to this song for the same reason a lot of us did — because it made us feel, deep in our gut, emotions we don’t always acknowledge in our words and deeds — that we feel we cannot. And said feeling was of a song that, despite its catchy tune, despite lyrics reaching out for joy, it’s also drenched in — and it’s infamous ending reeks of — pain. Of a loss, of control over our lives, and screaming out for that to change.

And if it can’t change, much like the Serenity Prayer, you learn to accept.

In that, yeah, it reminds me of the Gospel I sang, as a kid.

Gospel Music (and in this, I’m laser-focused on the songs from the African-American tradition) has a lot of emotional power, power that comes from shared burdens and pain. By its very nature, both coming from the long history of Christianity, and the specific “out of bondage” narrative of the African-American traditions, they are oftentimes songs about finding joy in the worst of pain. The old saying of “Making a way out of no way” is richly echoed by “You Get…” without aping or appropriating, and that gives it a ton of power that helps explain it’s near-cultish survival.

When the Florida Mass Choir sings that Jesus “makes my bridge over troubled waters/makes my hope — hope! — for tomorrow,” yeah, it’s a Christian version of “You Only Get…”‘s chorus around “One dance left, this world is gonna pull through/Don’t give up, you’ve got a reason to live”. Both are reminders that there’s power in sharing our burdens, a topic I expect to return to, in my tenure here.

But more critically, Gospel does this not in the style of a hopeless, painful singing style, not in ways that drag down the actual listening experience. You learn to sing Gospel as an act of defiance, of joyous surrender to the moment, and to God/Jesus (yes, that’s a whole-assed topic itself…). Gospel taught me, and “You Get” reinforces, that you can sing about horribly painful subjects, about the ugliness of the world around you, and do so in ways that empower you to step into tomorrow.

That’s…not for everyone, to say the least. Toxic Positivity is a real thing, and so is real no-joke Depression that turns everything dark, with no light from anything. These words, my writing here today, should never be used to mask or force people into some “damned light”.

But, in the aggregate, they do matter. Pushing back fear, always matters. Building connections, especially across the boundaries of artifice and culture, always matters.

And if me building a connection between a lamented son’s favorite song, and a musical style that lifted up millions for decades, helps you, today? I’m glad.

And if it just confused you? Well, welcome to the fun house that is my mind.

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