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Balloon Juice

Come for the politics, stay for the snark.

Sadly, there is no cure for stupid.

Thanks to your bullshit, we are now under siege.

If you tweet it in all caps, that makes it true!

Whoever he was, that guy was nuts.

Republicans choose power over democracy, every day.

Just because you believe it, that doesn’t make it true.

Within six months Twitter will be fully self-driving.

if you can’t see it, then you are useless in the fight to stop it.

“woke” is the new caravan.

We are aware of all internet traditions.

Come for the politics, stay for the snark.

Republicans in disarray!

We still have time to mess this up!

It’s always darkest before the other shoe drops.

I’d try pessimism, but it probably wouldn’t work.

Accountability, motherfuckers.

Come on, media. you have one job. start doing it.

This has so much WTF written all over it that it is hard to comprehend.

We are builders in a constant struggle with destroyers. let’s win this.

This year has been the longest three days of putin’s life.

I like you, you’re my kind of trouble.

Balloon Juice has never been a refuge for the linguistically delicate.

And now I have baud making fun of me. this day can’t get worse.

Good lord, these people are nuts.

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Medium Cool with BGinCHI – Looking Ahead

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Medium Cool with BGinCHI – What Learning Styles Work For You?

by WaterGirl|  August 19, 20206:00 pm| 114 Comments

This post is in: Guest Posts, Medium Cool, Popular Culture, Culture as a Hedge Against This Soul-Sucking Political Miasma We're Living In

In case you’re new to Medium Cool, BGinCHI is here once a week to offer a thread on culture, mainly film & books, with some TV thrown in.

Arguments welcomed, opinions respected, fools unsuffered.  We hope it’s a welcome break from the world of shit falling on our heads daily in the political sphere.

Tonight’s Topic:  What Learning Styles Work For You?

Medium Cool with BGinCHI – What Learning Styles Work For You?

Take it away, BG!

In this week’s Medium Cool, let’s talk about learning.

We’ve touched on this subject before, in terms of best teacher, most influential class or subject, etc. I’d like to shift the focus. As I prep for the start of classes this semester, which will be fully remote, I’m wondering what kind of learning worked best for you.

It seems to me most teachers (OK, I have no idea, really) operate either on the model of someone they were taught by, or they construct classes and classrooms to work for the student they were. However they/we do this, it’s meant to reach the most students possible. It won’t work for everyone. I’m struggling mightily with this now, as there is so much info and static about methods in this emergency.

For example, the lecture-discussion model works really well for me. I love listening to a smart, passionate person talk about a subject, along with discussion, questions, arguments. It’s old-fashioned, but it really gets my brain going.

My question, then, is: What learning styles work for you? It might not be one thing, but give us a description, or example, of some situation (or method) that really impacted you.

Medium Cool with BGinCHI – What Learning Styles Work For You?Post + Comments (114)

Medium Cool with BGinCHI: Special Edition – Tom Levenson’s Book Release!

by WaterGirl|  August 18, 20206:15 pm| 110 Comments

This post is in: Guest Posts, Medium Cool, Open Threads, Culture as a Hedge Against This Soul-Sucking Political Miasma We're Living In

Tonight we have a special edition of Medium Cool in honor of Tom Levenson’s new book, released today!

In addition to receiving rave reviews, Money for Nothing has also made the long list (15 books) for the Financial Times-McKinsey best business book of the year prize!

We’re honored to host Tom’s book launch, which comes at an opportune moment. Fraudsters, corrupt politicians, men enriched by speculation and lies. Plus ça change.  ~BG

Take it away, Tom!

Medium Cool with BGinCHI – Tom Levenson's New Book!

Money for Nothing: The Scientists, Fraudsters, and Corrupt Politicians Who Reinvented Money, Panicked a Nation, and Made the World Rich

So—yeah: there’s a book out today, by me, about a lot of stuff, centered on what happened on a few hundred yards of a London alley during 1720—an experiment in financial engineering that turned into the first great stock market boom, fraud and bust.

There was a central flaw in the deal, (to be revealed in the book, of course) and it all ended in tears and ruin.

But my goal in telling this story wasn’t to retell an old morality tale of ignorance, folly, and the inevitable consequences of greed.

Rather, I wanted to answer two questions: where did the ideas that sparked the Bubble come from? And what really happened in and after 1720—because the old version of the South Sea story as a morality tale on the evils of money mania always struck me as a way to take those events out of history. Something came out of it, that is. What?

So, about the “where it came from” bit:  that would be the scientific revolution. (Also coffee shops.)  In the broadest strokes, I argue that Britain’s scientific revolutionaries, William Petty, for example, and his more illustrious successors, Isaac Newton, Edmond Halley and others, inspired, informed, and shaped the nearly simultaneous  financial revolution that ran from (roughly) the 1680s to the 1750s.  More broadly—the book traces how the ideas and themes and even perhaps the feel of late 17th century notions of reason, empiricism and the power of math affected so much more than the study of the night sky or the flight of cannonballs.

Did I say that I love the 17th and18th centuries? I do. So much of our world was born then, and so many of our problems now can be explored by examining the first occurences of the same pathologies back then. For just one example, the 2008 crash was recognizably a direct descendent of that first Bubble.

As for what we got out of the Bubble? Well—for that, you should read the book, but in its shortest form the answer is…

Financial capitalism, with all the wealth and woe it engenders.

There’s a synopsis of Money for Nothing at my nascent website, but to follow up that last thought, you can head below the jump.

show full post on front page

This passage comes from near the end of the book, after telling the story of what Britain did with its financial system after the South Sea Bubble burst.  A lovely facet of this history is that France went through a similar (though not identical) bout of economic madness in 1719 and 1720, offset from London’s folly by just a few months.  So perfidious Albion’s traditional rival offered a control experiment on how to–or not to–recover from a financial collapse.  In Britain the response was to embrace the underlying idea behind the South Sea deal–turning all of the nation’s long term debt into recognizably modern bonds that could be traded in an increasingly effective and sophisticated market.  France, on the other hand, retreated from this kind of financial innovation.
The wisdom of those choices would be tried on battlefields around the world throughout what historians have called “the long eighteenth century”–until the matter was, at last, clearly and decisively settled:

At about eight p.m. on Sunday, June 18th, 1815 — still sunlit on that long midsummer evening— the Duke of Wellington stood in his stirrups over his famously cantankerous chestnut, Copenhagen.  He waved his hat above his head.  His army, men he had once called, with respect, “the scum of the earth,” poured over the ridge, chasing the remnants of Napoleon’s Imperial Guard back down the slope.  At the battle-ruined farmhouse called Le Haye Sainte, three battalions of France’s elite soldiery stiffened to a last stand.  Facing a combined charge of infantry and cavalry, they broke, and the rout was on, fleeing French soldiers shouting (in legend) “The Guard retreats! Save yourselves if you can.”

About an hour later, Wellington crossed the battleground to greet Field Marshal Gebhard Leberecht von Blücher, the commander of the Prussian army that had crushed Napoleon’s reserve at a decisive turn in the fight.  There would be a few more skirmishes in the coming days, but this was the end: the long century of conflict between Britain and France was done at the moment those two commanders met, victorious, on the field of Waterloo.

To the last hours of that seemingly endless war, nothing about the British triumph was inevitable.  Battles are decided by those who do the actual fighting, of course.  But it took more than simple courage, or even the mastery of a Wellington, to lift Great Britain past its larger rival.  The Napoleonic wars were national conflicts.  The forces the two sides deployed were vastly larger than any either had previously deployed.  The fleets that met at Trafalgar represented huge capital investments in the most advanced machines of their day.  Ships of the line, red coats, muskets, beer and beef, gunpowder, shot and everything else had its price.  Somehow King George’s government managed to keep on paying for a war that, at times, pitted Britain alone against the wealth of Napoleon’s conquered Europe.

It’s too simple to say that what happened in the banks and markets of Paris and London after 1720 determined the outcome at Waterloo. But it remains true that Britain and France had pursued two very different responses to very similar financial disasters — and that over the long haul, those choices made material differences to Britain’s ability to punch above its weight class.

So, Waterloo might very well had been lost had Wellington been absent.  But it was highly improbable that Britain could have maintained the fight long enough for the Iron Duke’s army to reach that ridge if Britain, like France, had reverted to old habits of public finance after the South Sea crisis.  Over the course of the  eighteenth century, the raw size of the nations at war came to matter less than the ability to mobilize the resources that each state’s economy could produce….

Put another way: The secret weapon that Napoleon could not counter was the successful implementation of a new financial technology.The institutions and techniques that emerged in the three decades after the Bubble made it possible and then desirable for private actors to put their cash at the state’s disposal, in exchange for a share of taxes yet to be collected from the economic activity of generations yet unborn.There was the market in which such bonds were easy to trade, supported by the Treasury’s demonstration over the years government-issued credit was a safe investment. (This, in contrast to the French experience of defaults at intervals throughout the eighteenth century.)That combination of an exchange and an increasingly plausible official guarantee meant that the ultimate legacy of the Bubble for Britain was the emergence of an elastic, expandable pool of credit available for any national purpose.

This was what Defoe had glimpsed long before. Ready access to debt, Defoe noted, was his country’s decisive advantage in the never-ending struggle for power: “Foreigners had been heard to say,” he wrote, “That there was no getting the better of Englandby Battle.”It was not that the inhabitants of that green and sceptered isle possessed greater bravery or martial skill.Rather, Defoe wrote, potential enemies understood “That while we had thus an inexhaustible Storehouse of Money, no superiority in the Field could be a match for this superiority of Treasure.” 

Defoe wrote that at the height of the South Sea spring. This doesn’t mean Defoe understood and anticipated the evolution of Britain’s financial system in the decades to come – he clearly did not.But still, he was an acute enough observer to recognize great change as it unfolded, and what he saw was that Britain’s financial system had experienced a revolution.We can see what Defoe didn’t:that the financial revolution was as transformative as the other upheavals in ideas that convulsed Europe from the late seventeenth century forward. The seventeenth century scientific revolution had not been solely or even mostly a British invention, for all that Isaac Newton has come to symbolize its triumph. The various breakthroughs behind the new forms of money and credit that Britain exploited for its ends weren’t either. But the extent of the cultural changes that flowed from the eruption of natural philosophers’ habits of mind– the way many people came to incorporate the values of empiricism, of experiment and the importance of measurement and calculation – had a profound effect on British civic life. What animated men and events in London more deeply than anywhere else in Europe, that is, was the eagerness, almost the urgency to apply emerging ways of thinking to everyday, human experience.

Specifically, the South Sea scheme itself was no deeply reasoned application of mathematical insight.It was, rather, born of specific historical circumstances, the immediate pressures of governance and the urgency of war, power and strife.But it emerged within an intellectual and political world in which the apparatus of calculation and the willingness to accept abstractions from material reality — replacing jangling coins with the elusive and elastic notion of “credit,” for example — fed a public culture in which a vast experiment in the manipulation of money could seem plausible, even the obvious thing to try.

Yes, that experiment failed. But the longer view captures companion truths:the nation’s debt was indeed transformed, and in place of its prior tangle of unmanageable obligations, Britain gained the ability to conjure up money more or less at will out of nothing more than trust in the future.Though it would be foolish to say that London’s bankers and exchange secured the final victory in the wars of the long eighteenth century, the fact remains: a war against a French Empire that could, at times, command the resources of most of Europe, could not have been fought without them.

So there’s a taste of the book. There’s lots and lots more between the covers, including plenty of exemplary madness of the sort Hogarth’s cartoon above depicts. It’s easy to enjoy disasters that have the kindness to remain at sufficient historical distance, isn’t it?

I’ll be hanging out in the comments.  Ask me about the book, the process of bringing it forth, my experience of the publishing carousel, my preferred gin:vermouth ratio…which is to say, anything.

*****

You can order the book at the links below.

Indiebound–Independent bookstores link

Amazon link

Bookshop link  (Another, newer site supporting independent bookstores).

Oh, and it didn’t take long for me to find a gaggle of glowing reviews of Tom’s book.

“Does a stock market crash and a plague sound somehow familiar? Thomas Levenson’s new book is proof—very cleverly told—of how enlightening history can be. There is no excuse not to learn from the past.”—Andrea Wulf, author of The Invention of Nature

“Superb, fascinating, and totally timely, Money for Nothing is a gripping history of the South Sea Bubble by a scholar who makes complicated and subtle matters not just accessible but fun—the story of a world crisis with a flashy cast of grifters, scientists, politicians, and charlatans that Levenson makes utterly relevant to the 2008 financial crisis and 2020 pandemic. . . . Essential reading.”—Simon Sebag Montefiore, author of Jerusalem and The Romanovs

“A brilliant history of the South Sea Bubble, an astounding episode from the early days of financial markets that to this day continues to intrigue and perplex historians. Deeply researched and featuring a colorful cast of characters out of 18th century England—mathematical geniuses, unscrupulous financiers, greedy aristocrats, venal politicians—Money for Nothing is narrative history at its best, lively and fresh with new insights.”—Liaquat Ahamed, Pulitzer Prize-winning author of Lords of Finance

“Levenson is a brilliant synthesizer with a grand view of history. Here is the birth of modern finance amid catastrophe and fraud—a gripping story of scientists and swindlers, all too pertinent to our modern world.”—James Gleick, author of Time Travel: A History

“Inspired by Isaac Newton’s example, clever schemers sought to conquer the chaos of human affairs by abstracting financial value from tangible goods. Their calculations unleashed the notorious South Sea Bubble, which destroyed fortunes and roiled nations. Thoroughly researched and vibrantly written, Money for Nothing captures those heady, heartbreaking times, which still hold lessons for today.”—David Kaiser, author of Quantum Legacies: Dispatches from an Uncertain World

“Mr. Levenson, a professor of science writing at the Massachusetts Institute of Technology, interweaves the story of the rise of mathematics and astronomy with the rise of bankers and actuaries and stock promoters. He traces the evolution of the idea of money to the habits of mind that brought us calculus and the art of surveying and the theories of gravity and optics. And he frames this vivid narrative around the century-long wars between France and Britain that culminated in the Battle of Waterloo in 1815.”—Wall St. Journal

“The story of government debt finance, which sounds boring but definitely isn’t . . . an enthralling account of an economic revolution that emerged from a scandal.”—Kirkus Reviews (starred review)

Medium Cool will return tomorrow (Wednesday, 8/19) at its regular time.

~WaterGirl

Medium Cool with BGinCHI: Special Edition – Tom Levenson’s Book Release!Post + Comments (110)

Medium Cool with BGinCHI – Let’s Talk Gaming!

by WaterGirl|  August 5, 20206:00 pm| 90 Comments

This post is in: Guest Posts, Medium Cool, Open Threads, Culture as a Hedge Against This Soul-Sucking Political Miasma We're Living In

Tonight we bring you the latest episode in our weekly Guest Post series: Medium Cool with BGinCHI

In case you missed the introduction to the series:

Culture as a Hedge Against this Soul-Sucking Political Miasma We’re Living In

Tonight’s Topic:  Let’s Talk Gaming!

*****

BG is away on vacation, but we did some planning in advance!  ~WaterGirl

*****

Here’s a note from BG, explaining what we have in store for you:

I’m out of town for this week’s Medium Cool, but I think you’ll do just fine without me.

I was surprised at how many of you have gaming experience in the last thread we did, so I hope this appeals. The subject is gaming, and to start you off, eddie blake outlines the evolution of his life with games.

How about the rest of you?  When did you first get involved in gaming, what are you playing these days, and what keeps you in the game?

Many thanks to Eddie for his work on this.

*****

Gaming Adventures by eddie blake

Let’s talk gaming again. As we discussed, video games have grown steadily from their birth as novelty entertainment for drunks and stoners in the 1970’s. Now developers put in millions of dollars and employ hundreds of people to create cutting edge games as high-end entertainment…for drunks and stoners (games are ALSO made for more family-friendly audiences in mind).

I enjoy good storytelling. I love comic books, graphic novels, book-books, films, cartoons, anime and video games. I always have. As a kid, when one of my neighbors got an Atari 2600, it was like a revelation. You could have that in your HOUSE?

I wanted an upgrade to the Sega Genesis. The machine sang to you when you turned it on. “sAAY-Gaaa!” Suddenly, you could have games that practically matched the arcades when it came to graphic fidelity.

Phenomenal games like Valve’s Half Life or Bioware’s Knights of the Old Republic drastically changed my opinion of what games could be, and what they could do. Half Life is a game with a seamless and engaging story. It was topped by the sequel, Half Life 2 and the subsequent DLC that allowed you to play as Gordon Freeman, a theoretical physicist who has to save the world from an extra-dimensional incursion or three.  ‘Knights of the Old Republic’ was the first time I played something that felt like an old school, IRL role-playing game. The game allowed for an extensive player-creation setup, where you could craft your character’s gender, disposition and body-type. It was a deep and astounding experience with a thunderous plot twist.
Medium Cool with BGinCHI – Gaming! 1
I had a friend in the aughts who had a brush with fame and a bit of money. His apartment had twelve foot ceilings with a projector TV and an XBOX plugged into it. We’d get wasted and play HALO: Combat Evolved, or Crimson Skies: The High Road to Revenge, or Dead or Alive,splashed across his walls in vivid color. He would beat me a lot. When my girlfriend at the time asked me what I was doing all those hours, I told her. I was surprised to hear her answer. “I like video games too,” she said. The next thing I knew, she was taking him to school on pretty much every game he owned.

Clearly, my next move was to get an XBOX.

I got a lot of mileage out of that machine and didn’t hesitate to get the next console, the XBOX 360. I was truly unprepared for games like Bethesda’s Skyrim or Ubisoft’s Assassin’s Creed IV: Black Flag. They broke my perception of how big games could get.

There was no place you couldn’t walk to, no place you couldn’t climb within the map of Skyrim. In AC: Black Flag, that map was the Caribbean Sea. You could sail from Jamaica to South Florida and stop at any of the myriad islands in the nearby waters, commanding your two-masted gunship, Jackdaw. Then you could leap into the water and swim to shore, without a cut-scene. The scale of the playable area was stupefying.
Medium Cool with BGinCHI – Gaming! 2
Assassin’s Creed is a game series from Ubisoft Studios. The first came out in 2007 and there’ve been over a dozen on a variety of platforms. AC games are known for dual, dueling plotlines, mixing the present and the past. There is a complicated lore and backstory, involving a long-running battle between two factions, “Assassins” and ”Templars”. That’s the least appealing part for me.  Black Flag immersed you in the rich plot and stunning, color-saturated visuals of the eighteenth century Caribbean Sea with very few interruptions.

To get the 360 to work after ten years, I’d be forced to pound on the casing. One afternoon, my girlfriend came upon me beating on the roof of the 360 like it owed me money. “It’s time to let it go, honey,” she said to me. “It’s time.”

So I got an XBOX One. It had new AC games. The conceit of the last few was that each of the newer games took place BEFORE the previous ones. They had an AC: Origins and AC: Odyssey.

Origins, taking place in ancient Egypt, was (obviously) the origins of the Assassin Order and the Templar-Assassin war. 2018’s Odyssey, set in Greece of antiquity, was supposed to have NOTHING to do with any of that.

This intrigued me. That it had a version of the great sailing mechanic from Black Flag also piqued my interest. Odyssey puts you smack down in the middle of the Peloponnesian War with ALL of the islands and lands of Greece at your disposal to adventure through, from Macedonia to Crete.
Medium Cool with BGinCHI – Gaming! 3
While the character creation system in Odyssey isn’t as robust as that of KotOR, you DO get to choose your gender. You are given the option to play as Kassandra or her brother Alexios. The voice actress Melissanthi Mahout, who plays Kassandra, is more emotive and subtle in her characterization. Alexios sounds like Cookie Monster. The game is festooned with historical accuracy, locations and characters. There is some bending of the geography and that history, most blatantly in that they give Sparta a functional navy and fleets comparable to Athens, but other than that, you really feel like you’re walking the islands of the Mediterranean, thousands of years ago.

And what islands! The grass and flowers blow in the wind. Goats and chickens scamper past as you wander from town to town. Monumental works of architecture surround you, as well as the ruins of the civilizations that have come before.  Whales breach out of the sea as you sail past, while your crew sings into the wind.  Dynamic weather comes upon you. Storms rage and pass, and you can see the Milky Way stretch from horizon to horizon as day turns to night.

I put 363 hours into that game. It was an addictive experience. My girlfriend would often sit next to me on the sofa and watch with glee as Kassandra stomped across the Greek world like a giant. No spoilers, but you discover early on that there is far more to the PC than meets the eye. The main game covers the story of Kassandra learning her personal history and trying to pull together her family, torn apart by the gyre of war.
Medium Cool with BGinCHI – Gaming!
There are two available DLC expansions: The Legacy of the First Blade and The Fate of Atlantis.  The former rather clumsily tries to connect the mythological world you’re striding through and the more grounded games that have come before in the series.

The second DLC, The Fate of Atlantis, explains why you have demigod-like powers as well as all of the supernatural events that have happened throughout, in a satisfactory manner. It made for a wonderful coda to the gaming experience, providing a deep dive into aspects of both Greek mythology and the game’s mythos.

I’m going in a different direction now.  I’ve started ‘Star Wars Jedi: Fallen Order’. So far it’s pretty engaging. What are you guys playing? Any thoughts on Open World gaming?

I hope you enjoyed this diversion from the regularly-scheduled awfulness that makes up the news.

eb

 

 

Medium Cool with BGinCHI – Let’s Talk Gaming!Post + Comments (90)

Medium Cool with BGinCHI – Literature & Art That Define A Region

by WaterGirl|  July 29, 20206:00 pm| 213 Comments

This post is in: Guest Posts, Medium Cool, Culture as a Hedge Against This Soul-Sucking Political Miasma We're Living In

In case you’re new to Medium Cool, BGinCHI is here once a week to offer a thread on culture, mainly film & books, with some TV thrown in.  (BG is aka Bradley Greenburg)

Arguments welcomed, opinions respected, fools unsuffered.  We hope it’s a welcome break from the world of shit falling on our heads daily in the political sphere.

Tonight’s Topic:  Literature and Art That Define a Region

Take it away, BG!

The MA course I’m teaching this fall is Southern Lit. I’ve taught it several times, and for each iteration I swap out probably 1/3 to 1/2 of the reading. I’m always looking for something interesting (especially recent) to slot into the late part of the course. I’m currently sorting that section of the syllabus, and it has me thinking about regional literatures (not just of the South).

For this week’s Medium Cool, let’s talk about regional literature, or other art forms that define, or represent, a region. Could be an area of the country (Midwest, Appalachia, PNW), or a state (recovering Hoosier here), or even something more local. It shouldn’t be something that’s just from there, but a work that situates the place’s placedness. Tell us how it does that.

*****

After tonight, BG will be on vacation for two weeks – apparently that’s in his (nonexistent) BJ contract for Medium Cool!  But we have done some advance planning, and we have a gaming post all set for you guys for next week on 8/5.

Last time we had a gaming thread on Medium Cool, a bunch of you came in late to the thread and said “I wish I had known we were going to be talking about this.”  So please consider this your official advance notice!

We have another post teed up, scheduled for the week after that, on 8/12.  BG won’t be participating in the vacation posts in real time, but I know he is going to want to read what you guys come up with in response to the 8/12 post, because it’s a good one.

Medium Cool with BGinCHI – Literature & Art That Define A RegionPost + Comments (213)

Medium Cool with BGinCHI – Fascinated by Sydney Pollack

by WaterGirl|  July 22, 20206:00 pm| 123 Comments

This post is in: Guest Posts, Medium Cool, Culture as a Hedge Against This Soul-Sucking Political Miasma We're Living In

Tonight we bring you the latest episode in our weekly Guest Post series: Medium Cool with BGinCHI

In case you missed the introduction to the series:

Culture as a Hedge Against this Soul-Sucking Political Miasma We’re Living In

Tonight’s Topic:  Fascinated by Sydney Pollack

Medium Cool with BGinCHI – Fascinated by Sydney Pollack

Take it away, BG!

I’ve done a lot of research on my hometown for a novel and short stories (one in the forthcoming Midwest Review #8), but one of my most abiding fascinations is that the director/actor/producer Sydney Pollack was born there July 1, 1934. His parents were Russian/Jewish immigrants, and they didn’t stay in Lafayette all that long. But just being able to imagine the urbane, sophisticated Pollack running around in short pants there has always made me really happy.

That sense of connection has led me to linger over his films with more alacrity than I might normally have for a filmmaker seldom thought of as an innovator. As Roger Ebert wrote in his obituary for Pollack in 2008, “To mention the titles of some of his films is to stir smiles, affection, nostalgia, respect.” Pollack acknowledged not being the most avant-garde director, commenting that “My strength is with actors. I think I’m good at working with them to get the best performances, at seeing what it is that they have and that the story needs.”

His films attest to this, though I think he undersells how good his framing is of scenes and situations. He reminds me of a less-aggressive Soderbergh, who is so good at visual narrative we forget about the filmmaking. I’ve been contemplating a biography of him, but have been unsure whether it would be desired, and whether I’m capable of writing it.

So let’s take a look at his career. In his long list of films as a director are “They Shoot Horses, Don’t They?” “Out of Africa,” “Three Days of the Condor,” “Yakuza,” “Jeremiah Johnson,” and probably my favorite, “Tootsie.” There are many more, especially those in which he acted. I love him onscreen and he’s always terrific.

Here’s his filmography:  https://en.wikipedia.org/wiki/Category:Films_directed_by_Sydney_Pollack

Curious what you all think about his work.

 

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Medium Cool with BGinCHI – Native American Culture

by WaterGirl|  July 15, 20206:00 pm| 81 Comments

This post is in: Guest Posts, Medium Cool, Culture as a Hedge Against This Soul-Sucking Political Miasma We're Living In

Tonight we kick off Episode 21 of the weekly Guest Post series: Medium Cool with BGinCHI.

In case you missed the introduction to the series:  Culture as a Hedge Against this Soul-Sucking Political Miasma We’re Living In

You can find the whole series here:  Medium Cool with BGinCHI

Tonight’s Topic:  Native America Culture

Take it away, BG!

Since I was a kid I’ve been interested in Native American culture. I grew up very near an 18th-century trading post on the Wabash River, which has a yearly festival called The Feast of the Hunter’s Moon. In the ’70s there were lots of Native Americans who came and played drums and sang. Every year we’d sneak down there and hide in the woods nearby and listen long into the night. It made a huge impression on me. I always rooted for Indians in movies, and have read many, many books (fiction and non-fiction) on Native American culture.

As a professor I occasionally teach some Native American lit, which I love. The novels and stories of Louise Erdrich, James Welch’s fabulous novel Fools Crow, Tommy Orange’s recent, brilliant novel There There, and Layli Long Soldier’s terrific book of poetry Whereas. There are others, but these are the ones on my mind right now.

For this week’s Medium Cool, tell us about your experience with Native American culture. It could be literature, or history, or perhaps something personal. If it’s part of your heritage, tell us about it.

*****

Now that we are past 20 episodes of Medium Cool, I am going to stop counting!  Thanks so much for Medium Cool, BG!  ~WaterGirl

 

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Medium Cool with BGinCHI – 13 Going On 30!

by WaterGirl|  July 8, 20206:00 pm| 237 Comments

This post is in: Guest Posts, Medium Cool, Culture as a Hedge Against This Soul-Sucking Political Miasma We're Living In

Tonight we kick off Episode 20 of the weekly Guest Post series: Medium Cool with BGinCHI.

In case you missed the introduction to the series:  Culture as a Hedge Against this Soul-Sucking Political Miasma We’re Living In

You can find the whole series here:  Medium Cool with BGinCHI

Tonight’s Topic:  BG’s Birthday – 13 Going on 30

Take it away, BG!

Today’s Medium Cool falls on my birthday. I know, another year older, another year closer to death. But at least everyone’s nice to you, and you can eat anything you want. I usually go to a movie by myself, but this year, I can’t, so I’ve decided that instead of spending part of it with some beautiful, talented people on the silver screen, I’ll spend it with you guys.

Continuing with the birthday theme, let’s talk about the coincidence of your birthday with either someone else’s (a cultural figure), or some (cultural) event that happened on that day.

I’ll take mine from today’s LitHub:  Today, in 1822, poet Percy Bysshe Shelley drowns in the Ligurian Sea. His body, washed up ten days later on the beach near Viareggio, is cremated in the presence of Lord Byron and Edward John Trelawny, who claims to have seized Shelley’s heart from the flames.

Medium Cool with BGinCHI – 13 Going On 30!Post + Comments (237)

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