The Daughter of Time (with Subaru Dianne)

Medium Cool is a weekly series related to popular culture, mostly film, TV, and books, with some music and games thrown in.  We hope it’s a welcome break from the anger, hate, and idiocy we see almost daily from the other side in the political sphere.

Arguments welcomed, opinions respected, fools un-suffered.  We’re here every Sunday at 7 pm.

Tonight is the final chapter of the series on Josephine Tey, brought to us by Subaru Dianne.  These have been great, and I predict that BJ peeps will have a lot to say about The Daughter of Time, since it appears to be a favorite of so many people here.  I clearly have some reading to do!  Thank you, SD, for these wonderful series.

The Daughter of Time!

by Subaru Dianne

This is almost surely the portrait of King Richard III that so intrigued Inspector Grant in The Daughter of Time. Artist and date unknown, probably British or Flemish, early sixteenth century.

This week we conclude our discussion of the eight Josephine Tey mysteries with a focus on The Daughter of Time, Tey’s most famous and lauded* work by far.

On one level, it is simply a mid-20th-century attempt to unravel one of history’s most compelling true crimes — the fate of the two young “Princes in the Tower” — and to exonerate their accused murderer, their uncle, King Richard III. (This book is responsible for turning many people, myself included, into ardent and partisan Ricardians!)

Sir John Everett Millais’ sentimental and romanticised 1878 portrait of the imprisoned “Princes in the Tower,” heirs to King Edward IV. The younger lad is Richard of Shrewsbury, Duke of York, age 9; his elder brother is King Edward V, age 12. They mysteriously disappeared in 1483.

But on another level, whether you (along with Tey’s Inspector Grant) absolve Richard or prefer to remember him as one of History’s Greatest Monsters, you will be struck, I think, by the contemporary pertinence of the questions raised: How, and why, and by whom do “Big Lies” get started? Why do so many people persist in believing them long after they’ve been discredited, even hundreds of years later?

These are topics the BJ Jackaltariat talks about constantly! I look forward to tonight’s discussion and your always-insightful comments.

*In 1990, the British Crime Writers’ Association voted The Daughter of Time number one in its list of “The Top 100 Crime Novels of All Time.” Not too dusty!

Medium Cool – Three by Tey! (with Subaru Dianne)

Medium Cool is a weekly series related to popular culture, mostly film, TV, and books, with some music and games thrown in.  We hope it’s a welcome break from the anger, hate, and idiocy we see almost daily from the other side in the political sphere.

Arguments welcomed, opinions respected, fools un-suffered.  We’re here every Sunday at 7 pm.

Three by Tey!

by Subaru Dianne

Josephine Tey in the late 1940s, about the time she wrote Pym, Franchise, and Brat.

This week, we’re concentrating on three wonderful stand-alone mysteries by Josephine Tey. Along with her extraordinary The Daughter of Time, which we’ll discuss on August 27th, these three are longtime favourites — eminently re-readable!

Miss Pym Disposes (1947) — when is it moral and appropriate to take action, no matter who may be hurt? Or is it better to take no action, no matter who may benefit? Miss Pym’s Hamlet-like waffling is central to the way this mystery unfolds.

The Franchise Affair (1948) — although the book is 75 years old, it resonates today with its exploration of mob mentality and malicious media misinformation. (Yes, for the purists, Inspector Grant is present, but in a minor and adversarial role, so I’m categorising it as a stand-alone.)

Brat Farrar (1949) — this is the story of a charming imposter who insinuates himself as heir into a prosperous county family. A criminal action, yes — but he uses his assumed persona to expose and bring to justice the far more serious crime of murder.

In all, Tey gives us richly-drawn settings, engaging and memorable secondary characters, and thought-provoking moral challenges. I look forward to a lively discussion!

Medium Cool – Josephine Tey, Part I (with Subaru Dianne)

Medium Cool is a weekly series related to popular culture, mostly film, TV, and books, with some music and games thrown in.  We hope it’s a welcome break from the anger, hate, and idiocy we see almost daily from the other side in the political sphere.

Arguments welcomed, opinions respected, fools un-suffered.  We’re here every Sunday at 7 pm.

As you no doubt recall, the last series with Subaru Dianne was a huge hit, so we have brought her back for an encore.  Hopefully, the first of many!

So it’s Josephine Tey night on Medium Cool, with Subaru Dianne!

I’ll let SD take it from here!  Let’s give her a warm welcome!

Josephine Tey, Part I

discussion with Subaru Dianne

Medium Cool – Josephine Tey, Part I (with Subaru Dianne)
Scottish-born Elizabeth MacKintosh (1896-1952) wrote stage plays, radio and television dramas, short stories, poems, and non-mystery novels under the pseudonym Gordon Daviot. But her lasting fame is as mystery author Josephine Tey.

Slight schedule change, my fellow Medium Coolios. At Water Girl’s suggestion, we’re expanding the Josephine Tey discussions from two sessions to three, so we can devote an entire evening to her masterwork The Daughter of Time and its lasting influence.

So the new schedule is:

July 30 — four mystery novels featuring Detective-Inspector Alan Grant

August 13 — three (more-or-less) “stand-alone” mysteries

August 27 — the enduring legacy of The Daughter of Time

Tonight, let’s talk about four of her Alan Grant mysteries:

The Man in the Queue, 1929 (originally published under the pseudonym Gordon Daviot)

A Shilling for Candles, 1936

To Love and Be Wise, 1950

The Singing Sands, 1952 (published posthumously)

(I don’t include The Franchise Affair here — Grant is a minor character in that book, and we’ll discuss it in two weeks along with the non-Grant Miss Pym Disposes and Brat Farrar).

Alan Grant is an agreeable character with some very human flaws, making him much more relatable than, say, Christie’s Hercule Poirot. And all of Tey’s works (like Sayers’s) explore character and human relationships, sometimes relegating plot to a secondary consideration.

Have you read any of Tey’s mysteries? If so, please tell us what you admire (or don’t) about her books. And if she’s new to you, I hope you’ll be intrigued enough to give her a try!